Why is Africa always portrayed as a passive woman?
Africa is often talked about as an object to be consumed. Even those who resist this discourse sometimes employ it.
At the start of this month, leaders of forty African countries went to Beijing to meet with the Chinese government. This massive forum happens every three years, alternating between an African city and Beijing. And every three years, without fail and with increasing intensity, the gathering launches a thousand think pieces on what China’s increasing involvement in Africa means for Africa and other countries with interests in the region.
I’ve always been fascinated by the epiphenomena of multilateralism – the secondary effects of these big meetings on how we think and talk about our societies. If you strip the international conference down to its bare bones, you realise how much of it is just pageantry. Most of the agreements that are announced have been negotiated in advance by bureaucrats at embassies and ministries. Summit conversations are often nothing more than repetition of talking points and jargon that has already been approved by the political class. The spaces where any real work gets done – the green room networking events and bilateral meetings – are hidden from media scrutiny.
Yet, these forums have a lot to say about power dynamics between individuals and organisations. Who shows up? Who gets to speak? Who gives a press conference? The answers to these questions are often coded messages about who actually wields power. I love looking at the official photograph and noticing things. Like the fact that no women feature in the official photograph of this year’s China Africa summit.
The money will be channelled to projects aligned to the Chinese Government’s Belt and Road Initiative covering telecommunication, construction of roads, bridges and sea ports, energy, and human capacity development #FOCAC2018 pic.twitter.com/QcazrphRpc
— Uhuru Kenyatta (@UKenyatta) September 3, 2018
Or that almost none of the African delegations took writing materials into their meetings with the senior Chinese officials.
I’m amused by the cultural production that accompanies these large-scale meetings and what they say about how power sees itself and how ordinary people view power.
One thing that strikes me in the conversations around this current summit is the fact that people still see Africa as a raw material to be consumed rather than a place where people live. In the think pieces about how the US and Europe should respond to China, or whether or not Chinese economic engagement with Africa is good for Africa, there’s a tacit agreement that the most important thing that Africa has to offer the world is stuff: raw materials for processing and consumption elsewhere.
For the West, China is either a threat to “our ownership” of Africa, or is simply seen as providing a new way to consume Africa. The argument over whether China’s involvement is good or bad for the continent seems heated, but fundamentally, both positions are centred on Africa’s things and not people. Africa is valuable only as an opportunity for other places.
This is the language of colonisation, and it is remarkable how even those who resist it routinely and uncritically employ it. In the lead up to the summit, noted Kenyan painter Michael Soi launched a collection called “China-Africa 2018” at the Circle Art Gallery in Nairobi. The collection is basically various allegories of China’s relationship with Africa: Africa as a woman being groped by China while Western countries – also male – watch despondently. Africa as a black woman lying on a massage table while China as a man fondles her bottom and half-naked white men representing Europe and the US watch with sadness.
Around the same time, popular cartoonist Gado published a controversial cartoon in which a black limousine is surrounded by scantily clad women clamouring for the supposedly wealthy occupant’s attention. The women are various African countries and the occupant is China.
Why is Africa always painted as a woman? What does it say about what we think about ourselves as Africans or about how we see women? How should we feel that the arguments around foreign involvement in Africa are fundamentally about African countries finding a desirable or adequate suitor, rather than, say, figuring out how to stand up for themselves? Why is Africa always the passive partner in the relationship?
The only images I can think of where the EU has been painted as a woman are ones in which the far right was arguing that the arrival of Muslim migrants and refugees is a form of sexual assault against Europe. What does it mean that Africa is the only region in the world that is routinely painted as a woman? And that womanhood is equated to victimhood? Women’s bodies as an allegory for passivity or as a commodity to be consumed by greedy, lascivious men – the whole idea is deeply disturbing.
It’s too easy for even people who know better to describe Africa in relation to its position in Western and now Eastern commodity chains, to accept that the challenge is in finding a suitor rather than emphasising the agency of African people. We pick up the discourse uncritically and in so doing reinforce it. Africa represents “a new economic frontier” and not, for example, a home. “What’s Trump’s position on Africa?” we scramble to answer as if Africa cannot exist without Trump expressing an opinion on it. Yes, it’s in the nature of international economic and political discourse to unsee people, but shouldn’t we resist this dehumanising language?
There’s certainly truth in that African political leaders are so eager to drop everything and traipse around the world, begging bowls in hand, at the beck and call of leaders from other parts of the world. In 2014, rather than visit various African countries, for example, Obama simply summoned them all for a meeting in Washington DC. And they came. Tony Blair did the same thing in 2004. Our presidents scurry off to Brussels and Paris, and China every three years.
I have little hope in autocrats who benefit from playing weak on in multilateral conversations. But in making room for the agency of ordinary African people, those of us who know better should critically examine how we wield the language and symbols of power to place Africa on the global stage.
Very well written article! And it will be really the power of the young people in Africa to overcome the established structures.
On the other hand, there are so many startups and disruptive organizations that there are many signs of hope.
For us in Europe there are many opportunities now to create a beneficial situation for both parties. Me, I believe especially in the new chances in the edtech sector and the fintech sector.
Love that piece too. Great thinking. I’d suggest that one part of the thing is the iconic song “Mama Africa” and Miriam Makeba. “Mama Africa” today represents for so many people a feeling of identity, culture and sweet home. So the female representation of the continent is also fostered through Africans themselves.
If you’re interested in a new look on African creativity… and understand German, my blog africamodern.org is for you. Just check-out!
cialis tablets cialis alternative
This is a very long article that attempts to be thought provoking but fails.
Africa is portrayed as a woman because Africa behaves like a woman: It is cruel and unnecessarily combative towards its own but exceedingly shy and docile towards foreigners